Steadfast

Steadfast, 6 x 8 in.

And she liked it. My friend, from yesterday's post. :)

It's kind of fun doing some still lifes after working so intensely on landscape as the subject matter for the Davis Gallery show. It really allows one the time to carefully examine a form, much like the trees I so enjoy studying (except this fruit is much smaller, and the light on a still life doesn't change!)

-julie davis

Close

Close, 6 x 8 in.

I have a very dear friend to whom I owe some time--if she's reading this today, she'll know I'm talking to her. So, pal, what do you think of this one? :)

-julie davis

Gathered Together

Gathered Together-study, 6 x 8

I thought I'd post a little bit of the process today, primarily because I prefer the middle version here. I was experimenting with the foreground in the final product, and it just isn't what I'd envisioned. I did manage to take a few photos while I painted, however, and since I always find it interesting when others post "process" photos, I thought I'd share these.

-julie davis

Peared Up

Peared Up - study, 6 x 8

This is the last of the six I painted on Wednesday, and I made myself "finish" in 30 minutes, good or bad. Sometimes that builds in looseness and is successful, sometimes it's just disastrous. I definitely could've created a better painting, but playing with the gold tones and keeping it loose were my two goals, and I did accomplish that.

-julie davis

Among the Liliputians

Among the Liliputians, 6 x 8 - study

This arrangement at first seemed as if the cherries had a crush on the pear, then I thought it more looked like the pear was Gulliver and the cherries were the the citizens of Liliput.

Regardless, my apologies for the reflection on this photo--the darks never fail to give me issues. I take the photos outside in a spot I wouldn't think gets much reflection, but the darks almost always find it. Anyone have any tricks or suggestions, besides creating a photography studio in which to photograph?

-julie davis